It is a narrative based on the construction process of a beach hut. (etymologically tent comes from clay). Cosmopolitical, hybrid, cyclical, raw and naked: it travels the trajectory of an urban outsider, based on the encounter of love with native cabloco and their experiences. The film promotes a visit to the intimacy of the people of the land that evokes a contemporary cultural affair. The report moves in the first person, driven by explicit sincerity, analogous to a public diary. It distances itself from exoticism, pedagogy and anthropological-artistic optics. It is an anarcho-cabloca narrative in the name of decolonization.